Posts Tagged China

2011 NYC Dumpling Festival in Downtown New York City on September 17, from 12 noon to 5pm!

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From pierogis to potstickers and everything in between, the 3rd Annual Tang’s Natural New York City Dumpling Festival has got your dumpling fix covered. At the festival, ticket holders will be able to sample an international selection of dumplings from cultures around the world, including offerings from Italy, China, Korea, Malaysia and Poland.

The Festival will also feature the 8th Annual Chef One Dumpling Eating Contest, one of the most exciting eating competitions in New York City. Come and cheer on contenders as they attempt to upset the record of 66 dumplings in two minutes! Attendees will also enjoy live performances and lucky draws throughout the Festival. We invite you to help us commemorate our joint efforts with the Food Bank For New York City in bringing public awareness to the hunger issues facing New York City. Look for the specially-marked Tang’s Natural Whole Wheat Dumplings in Whole Foods Market. Proceeds will benefit the Food Bank For New York City.

Dumplings

Dumplings

Participating Restaurants

Participating Restaurants

<The 3rd Annual Tang’s Natural NYC Dumpling Festival>

September 17th 12pm-5pm
Sara D. Roosevelt Park (on E. Houston Street), Downtown Manhattan NYC

Admission: Free
Tasting Ticket: $20 allows for up to four tastings of a variety of dumplings.

<The 8th Annual Chef One Dumpling Eating Contest>

September 17th 1pm-3pm
Sara D. Roosevelt Park (on E. Houston Street), Downtown Manhattan NYC

Registration Fee: $20.00

Prize
1st Prize: $1,000
2nd Prize: $500
3rd Prize: $300

More details, please visit http://www.dumplingfestival.com/ or call 718-744-6999.

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The movie director, Jun-Ik Lee, 이준익, at the opening reception of ‘Mind the Gap’ by Sun Mu from North Korea at SB D Gallery in New York City.

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이장욱_박설빈_이준익_선무

이장욱_박설빈_이준익_선무

Pleasant visit by Jun Ik Lee, the Korean movie director, to the opening reception of ‘Mind the Gap” by Sun Mu from North Korea. The exhibition goes until August 20th, 2011.

Title: “Mind the Gap” by Sun Mu from North Korea

Exhibition Venue: SB D Gallery, 125 East 4th Street, New York, NY 10003

Medium: Oil Painting

Exhibition Date:  July 16 – August 20 2011

Opening Reception:  July 16 2011 from 5-8pm

Quantity: 9 paintings

Guest Curator: Yu Yeon Kim

Director: Seolbin Park

Sun Mu, North Korean Artist who escaped from North Korea to China, Vietnam, Laos then finally to South Korea, will be presented his paintings to New York City for the first time in history.

Sun Mu’s work has been widely reported by BBC, Time magazine, New York Times, Financial Times and international press when he attended at art college in South Korea last 3 years.

His painting has been echoed his tremendous life dangered experience then living in materialistic capitalism in South Korea and questioning dramatically different life, ideologies, controlled information and isolation.

His articles are following;
NEW YORK TIMES
http://www.nytimes.com/2009/02/21/world/asia/21painter.html

BBC
http://news.bbc.co.uk/2/hi/south_asia/8000769.stm

TIME  By Michael Gibb,  Monday, Sep. 07, 2009
http://www.time.com/time/magazine/article/0,9171,1919276,00.html

sun mu from north korea

sun mu from north korea

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The Sylvia Wald and Po Kim Art Gallery presents “Breathing” from March 29 to April 26, 2011, in East Village, New York City.

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B r e a t h i n g”

The Sylvia Wald & Po Kim Art Gallery

March 29 – April 26, 2011

Tuesday- Saturday (11:00 am – 6:00 pm)

Opening Reception: March 29, Tuesday, 6-8 pm

The Sylvia Wald & Po Kim Art Gallery

417 Lafayette Street, 4th fl. New York, NY 10003

212-598-1155 waldandkimgallery.org

ARTISTS:

Alain Kirili, Byoung Ok Min,

Choong Sup Lim, KyungWoo Han,

MiKyung Kim, Po Kim,

Rakuko Naito, Raquel Rabinovich,

Robert C. Morgan,Ruth Hardinger,

Shen Chen, SungHo Choi

In recent years the art world has under gone tremendous changes involving expanded varieties of multimedia form. Diverse categories, such as modernism, avant-gardism, post-structuralism, and multiculturalism have given way to an unprecedented atmosphere of cultural globalization. Emerging artists from eastern and western hemispheres are evolving both within and beyond their indigenous cultures. Given the presence of cultural globalization, artists have begun to question such terms as aesthetic originality, formal purity and spiritual content. These cultural traditions are no longer considered absolute, but show evidence of engaging in flexibility and interactive projects. As a result, significant new concepts now reach between the center and the periphery, between the ideas of circulation and purification.

While New York is still considered the center of the international art world, artists from all around the world gather and communicate directly with one another. The strong diversity in the New York art world reveals a confidence and vibrant multicultural society. Culture exists in a way like oxygen in that the air we breathe never stops in one place, but always circulates. Artists get a new energy by breathing within this cultural environment. They are willing to absorb new ideas and interact on different levels. Many of those who come from outside the United States struggle to keep their identity in their works, while at the same time acculturating influences from around them. As a result, there are interactions within this extraordinary hybrid of international artists involved in the role that contemporary art plays in society today.

The exhibition, “Breathing” highlights different aspects of art in New York. The twelve artists included here all come from different cultural backgrounds, different multicultural experiences, and different nations. These include France, Japan, China, Argentina, Korea, and the United States. The featured works by the various artists seek to launch a vibrant cross- cultural dialogue. This exhibition is focused on the intimate quality of each artist’s work, including their philosophical concepts. The selected works constitute a demonstrable engagement with East Asian aesthetics and philosophies. Each invited artist has been asked to present work that carries the kind of openness necessary for this kind of awareness and cross-cultural pollination

-Soojung Hyun Ph.D (Guest Curator of The Sylvia Wald & Po Kim Art Gallery)

SB

www.sbdgallery.org

www.sbdesignny.com


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History of Korean Tea Culture by Seiryun Chun

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The Art Exhibition Korean Traditional Tea Ceremony, performed by Seiryun Chun, will be held at the Sylvia Wald and Po Kim Art Gallery in East Village, New York City.

Exhibition: September 1st – 7th, 2010

Opening Reception: September 8th, 6-8 pm. Tea Ceremony at 7 pm

The Sylvia Wald and Po Kim Art Gallery, 417 Lafayette Street, 4th Floor, New York City, NY 10003 t.212-598-1155

Four Words Representing Korean Tea Sprit;

순 (SOON, Genuine), 청 (CHUNG, Pure), 온 (OHN, Modest), 공 (GONG, Humble)

The English word for ‘TEA’ is called “CHA’ in Korean. I believe that ‘Naturalism’ and ‘Substantialism’ are the two most emphasized and underlying philosophies throughout the 1,400-year-old Korean tradition of tea culture.

‘Cha’ was introduced to Korea around the sixth or seventh century from China. In the Koryo Dynasty (918-1392) succeeding to Silla, Korean tea culture was most popularized with the rising of Buddhism as a national religion. During the Yi Dynasty (1392-1910), the Korean tea culture declined as Confucianism replaced Buddhism as a spiritual mainstream. Buddhism was repressed and became separated from the public.

In the early 19th century, a great scholar Da-San (1762-1836, meaning tea mountain) and a Buddhist monk, Cho-Ui (1786-1866, meaning grass garments) played key roles for reviving the long lost Korean tea tradition and restored the Korean Way of Tea Life.

Korean tea culture is not artificial but natural and not complex but simple.

- Professor Keun Soo Lee, Ph. D

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